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Neither did we.

He's also a smart-ass. His musical repetoire included musical gags from a violin wolf whistle to the chorus from La Cucharacha. His band didn't even seem to know what was going to happen next and I swear he played the traditional reel, "Fairy Dance," twice. No one seemed to notice or care.

Initially I was nervous that he's go too far with the edgy remarks, but I grew to appreciate his straightforward, honest approach to talking to the audience. His candid and direct remarks helped the audience warm up to him as a person, not just a pop star. It must be a Cape Breton thing: all the players I’ve seen from the island are “what you see is what you get” sort of people.

“I started playing fiddle when I was eight years old,” he said at the end of the show. “I’m 28. I’ve played for 20 years. That’s a good two-thirds of my life. I’ll be darn near one hundred by the time I’ve lived as much as I’ve played.”

Most of the audience was lost at this last remark, dazed expressions across our blank faces, but we all nodded slowly and asked for more fiddling.

**Rhiannon Schmitt (nee Nachbaur) is a professional violinist and music teacher who has enjoyed creative writing for years. She writes for two Canadian publications and Australia's "Music Teacher Magazine."

Her business, Fiddleheads Violin School & Shop, has won several distinguished young entrepreneur business awards and offers beginner to professional level instruments, accessories and supplies for very reasonable prices: Visit http://www.fiddleheads.ca

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